Tagged: Decemberween 2019

Decemberween: Brinkwood

Okay, so around this time each year I and my friends sit around and discuss a weekend game of D&D that we’ll play when they come around. It’s a highlight of my year, even if it lands – typically – smack dab during GDQ, meaning I miss a bunch of the celebration at the end of that event. But that’s not what’s important.

A few years ago, I proposed for this event, to my friends, a game with the short pitch of Robin Hood vs Vampires. The idea got a bit of meat on it, and I served it to my friends, and we wound up playing something else.

But it got a name.

The name it got was Brinkwood: Blood of Tyrants.

 

 

I threw this name out there on the internet at one point because I was happy with the logo I made for the game even though nobody was actually super interested in it. And then Leastwise saw it.

My friend Leastwise, aka Erik the Bearik (and he’ll come up again later this month), saw this pitch, and straight up asked if he could have it. Or more specifically, he had his own idea inspired by this idea, and he asked if he could use my logo.  What resulted is a game that’s been streamed, played by multiple groups, run at cons and may even get to be a major project from the San Janero Co-Op. It is amazing work, and it has all these great, thoughtful pieces at the root of it, like addressing the philosophical vision of what trauma means in Blades in the Dark. The game seems to have coined the term Castlepunk, the idea of ‘hey, that kind of mish-mash of medieval-seeming things we all associate with general fantasy without getting into a long argument about what really counts as medieval.’ It’s great and it’s cool, and you get to adorn these twisted wooden masks with fae blessings on them as you go out on missions to drink the rich.

Time to time when talking about the game, he’ll mention me, as it relates to this idea because I mean it kind of works as an origin story, it’s as good a place to get started. But I need to stamp a stake in the ground right here: This is Erik’s idea. It’s 100% his idea and all of this beautiful, thoughtful, engaging, exciting and creative writing about this idea is his. All I did was make a logo and a name and he went ‘oh, I would do X with it.’ Part of what excites me about this is it’s a kind of fanart? I had an idea, I put it out there and someone else who was inspired by it was able to create with it and make their own thing, and I get to see my little logo become something amazing.

You can go check out the playtest kit over here, on itch.io, and please, I recommend you do.

Decemberween: Surviving my RPR!

I say that like it’s something I did but I think it’s really just because I’m still numb that I did it. I think back on that hour or two of waiting and talking and asking and waiting and waiting and waiting and I feel sick to my stomach thinking about the mistakes I made. It was weird to enter with so much confidence I downplayed myself in the name of not looking like an arrogant dickhole, and in the process it all twisted around on itself.

My PhD scares the hell out of me, and every time I stand in front of an actual academic and explain it, I feel my grasp on my confidence slipping away. It’s scary!

But this year, I did my RPR, my first major presentation on the Phd to someone who doesn’t know the field and doesn’t know me. It didn’t go amazingly, I missed some specific details and – and –

You know what.

The thing is, the real reason I want to write this.

My supervisor and my co-supervisor went into a small room with two of their peers and went in to bat for me. They didn’t defend the indefensible, they provided context that was meaningful.

I’m not saying my work is bad and my supervisors made it look palatable. I’m saying my work is good, but I’m not yet good at making that clear, and my supervisors did heroic work in standing up for me. It’s a huge deal to me, the way I can feel cared for and respected by these people.

It means a lot to me and I’m very grateful for it.

Decemberween: City of Heroes!

City of Heroes is back.

City of Heroes is back and based on these past six months, it might be able to last.

I don’t know how to tell you how unnecessarily happy this makes me.

The game is still a clunky, 2004 content churn of a game. It’s a space full of people who, like me, didn’t get over losing it last time, and have kept their personal roleplaying stories going, or just brought back old ones, and that means I get to see a bunch of people I genuinely hate and never wanted to see again running around and having fun but it’s okay because City of Heroes is back!

As far as free games go, a customisable superhero MMORPG is a pretty sweet one to offer, and here’s the link. I don’t think it’ll be to your taste – it’s a limited appeal kind of work at the best of times – but it’s something I’m so glad to see around, and part of what I love about it is that I get to play this game again and it somehow survived.

There was a lot of anger at the discovery of a secret server this year. It was a big deal, and a lot of people close to me were super pissed about it, because the idea that they didn’t get to play, but someone did was really unpleasant. But what stood out to me was the idea that a population of what, a few hundred people were able to keep this kind of thing a secret, even through breaches on Reddit and multiple attempts to attack it.

I don’t think Corporations are good. I don’t think NCSoft, despite making a thing I love, are a good company. I don’t think that Nexon, the company that owns NCSoft are good, and I don’t think Tencent, the company that wants to buy Nexon are good. Simply put, I do not see a reason to want to defend a corporation in face of people taking things from that corporation. I don’t like the Disney Vault for example, and I don’t feel there’s any shame to be had in making a corporation surrender control over something. Corporations aren’t the heroes. They don’t need us to stand up for them.

We sure don’t want to be their unpaid enforcers.

Instead, for years, years, people kept that secret.

Like you would, for a superhero.

Decemberween: Resplendent in the Sky!

I have a complex relationship with long form fiction.

Undeniably, I have read some long book series, and they were very important to me. I spent a lot of time working on my theories about them, composing diagrams and fanart and all the things we normally associate with fandom these days. I read the entire story arc of the Animorphs books, one seven dollar purchase at a time. I read Robotech and the Mallorean and the Belgariad  and I mean, I read Dungeons & Dragons and Magic: The Gathering novels.

I have read a lot of fiction books.

For the most part, though, I have not read many good books. Not books I hold up and tell my friends hey this rules or hey this is great genre fiction. I do it with Animorphs, but let’s not kid ourselves, those are a bunch of great ideas swaddled in many layers of Dicking Around because the author was on a monthly schedule.

When I talk about long form fiction in TV I often make all sorts of forgiving statements about how they work or don’t work or what’s going wrong in them because of things they couldn’t control like maybe some of the people involved died or there was an incident or they had to find their feet or whatever, and that’s all a byproduct of those works not really knowing what they’re about or what they’re going to be about. Imagine that, imagine eight years and millions of dollars spent on wages and sets and productivity and promotion and advertising and it all falls apart like wet biscuits because when it comes down to it, you don’t know what your story is about and it means you don’t know what the story is doing. JK Rowling didn’t know what Harry Potter was doing aside from making her rich and that’s why the conclusion of that story is a wet fart.

I bring this up because I want to make it exceptionally clear that Resplendent In The Sky is work I am 100% convinced knows what it’s about and knows where it’s going.

Am I saying Resplendent In The Sky, a book of gaslamp fantasy available for free, now, by someone I know and like, is better than Game of Thrones?

Honestly, yeah pretty much. Go check it out!

Announcing: Decemberween 2019!

This is the time of year when the last thing I want you to read is Here’s How This TV Show Should Make You Sad, or Videogames Are Made By Assholes, Maybe, and so instead, I dedicate December to a festival of fun stuff.

Now, that means this month is going to be about trying to put forwards people who don’t qualify by my normal metrics as Game Pile or Story Pile candidates. It isn’t to say they’re not good, mind you. I try to avoid putting people making non-commercial or extremely indie work on the same platform as work that is, in no small part because it seems unfair to compare people with a marketing budget to people with none.

The aim is going to be stuff you can enjoy with minimal expenditure or cost, stuff that’s good for sharing or good for binging, stuff that I feel grateful for in small and personal ways, and stuff that yes, unashamedly, puts forwards my friends.

Hope you have fun this month!