Hey, you know that interactive fiction thing? Well, a friend of mine, Caelyn, has made a bunch, and I thought I’d spend some time focusing on experiencing it, with the sort of discipline normally needed for recording it.
If you want to play this beautiful little game, you can check it out here.
Oh hey I already have this pic uploaded, sweet.
It’s 2021 November, and I have finally followed up on a promise from a game I bought in January, 2019.Continue Reading →
I don’t feel like I have a lot to say about A Short Hike in and of itself. It’s a lovely charming little game. I don’t know if there’s some clever mystery at the end of it, or some twist in how the game works, because as I post this, I’ve only played a little bit of it. Like, oh, say, forty minutes.
I think it’s a pretty sweet little game. I like its style, I like how it feels. It’s a cosy game, and I’m just not very well-acquainted with cosiness. But while I played this game, I talked a little bit about game design, about courage in choices, and about workloads and my own history with games.
Being as it is No-Effort November and I am already penning this after having brushed my teeth and let my last fuck for the day wend its way off into the yonder, my plan was to talk for roughly five hundred words and with zero meaningful insight about the 1990 narrative adventure game Les Manley in: Search For The King.
A tepid little entry into the ‘maybe I’ll get to see boobs’ genre of adventure games pioneered by such titles as the Leisure Suit Larry and Spellcasting franchises, rather than coming from the duelling giants of Sierra and Lucasarts, or their peripheral competitors, this game was made by Accolade. Now, there’s some novel history here, where the guy who made the game was Steve Cartwright, who you may recognise if you’re a huge Atari 2600 nerd, and also is responsible for making Diner Dash, yes, that Diner Dash, no, it doesn’t mean anything to me either.Continue Reading →
Hey, I don’t just generate videos about postmodernism or solastalgia, I also sometimes make videos where I just partake in a game that you probably don’t know or remember, and spent some time complaining about it. This time, it’s a book, and oh boy, isn’t this going to be a WEIRD book to start with!
This whole setup is the real prize of this video: A dice roller and book reader system means I can do other game books, but also things like roll-and-write physical games or the like. The pngtuber is also neat here, and this can be seen as like, a beta test for them.
You seen this game? It’s a pretty neat one. It made me laugh. So why not use this spooky game about playing a monster in a spooky month to talk about the spookiest of things – Postmoderniiismmmm.
I got this game in the Racial Justice bundle on itch, and I thought I’d give it a shot for Dread Month. Turns out that the plot is obtuse enough that I thought the most interesting thing was the way that the game spends a lot of programming effort and visual aesthetic looking like an old junky game from a long time ago, even on modern hardware.
Neat game, definitely one to try if you like the way it looks. Not the kind of thing where I put much stock in ‘the plot’ as much as that plot is an assemblage of stuff the creator thinks about.
Content Warning: I talk about Death, Cancer, and Grieving in this one.
Hey, do you remember Bloodborne? That critically acclaimed internationally successful videogame made by longstandingly successful company From Soft that I looked at and gave you the useful insight that it wasn’t actually that good and it serves as a symbol of how we are sycophantic towards games for idiotic fears of hurting those games’ feelings? That game that was a solid 7/10 but only the reviews of the people who have sunk all the sunk costs count, meaning it’s elevated to special uncriticisable place in the pantheon of videogames as somehow being ‘near perfect’ despite being incredibly janky and failure-prone? The game that has an aesthetic I love, but which disappointed me immensely?
Yeah, that, it’s back, and in card game form!Continue Reading →
What’s this? This isn’t Game Pile at all? Well, sort of. It’s a video about my Youtube channel, what it’s for and why I use it to put up Game pile articles. It’s meant to double as my channel trailer over on Youtube for those people who don’t come and look at the blog. It’s weird to me to consider that there may be people who watch over there but don’t read over here, but hypothetically, that’s what Youtube is about.
Script follows!Continue Reading →
Thinking about Blackthorne a lot lately.
Content Warning: I’m going to talk about the recent news pertaining to Blizzard. I don’t intend to go over the specifics of any incident, but this one is a downer.Continue Reading →
There’s a couple of other dinosaur park themed games that hit the market recently, which ranged from the positively bombastic Dinosaur World by Pandasaurus to the more multiplayer-friendly Dinosaur Island: Rawr and Write by Pandasaurus to the sprawling euro of Dinosaur Island by Pandasaurus to — you know, maybe it’s just Pandasaurus games.
Nonetheless, you might be the kind of person to whom the theme of a dinosaur theme park, as inspired by classic 90s piece of pulp media, Dinopark Tycoon, just makes your heart sing, but you don’t want to have to reconstruct an actual academic model of a human heart out of cardboard and math. To you, I wish to show you the dlightful Draftosaurus, a game that sells itself almost immediately when I show you the meeples.Continue Reading →
This is a cute little game about playing a skateboarding kid in a town of animal people. It has pickups and tricks and magical powers that give you fast travel. It’s not a long game and I imagine if you’re better at skateboarding games than me, it’d probably only take a few hours to finish. It’s charming, it’s sweet, there’s a trans flag in the banner art.
If you want to check the game out, you can go get it here, and also, if you bought the Bundle For Racial Justice back in 2020, you already own a copy. But it’s also really cheap, so maybe buy it again?
I’m thinking more and more when it comes to itch games, just showing them off on my platform and talking about what I like about them is more interesting than trying to apply some deeper analysis to them. Not that I won’t for games that inspire it, but especially when it comes to games like this, I want to make sure I’m taking the opportunity to just share games.
Be kind with energy,
Be cruel with purpose.
The medium is the message. If you look at the way things are made, rather than the content that is presented, you can see patterns of behaviour, see deformations of the way that things got made. The point-and-click adventure, for example, tends to get framed as a sort of game creature that evolved on the PC platform, existed for a while, then classically died out out of incompetence.Continue Reading →
Hey, here’s some leading text because I want to make more than just the youtube video show up in the tweet, and oh goshy gee! I like this game.
Among Us is a 2018 social deduction videogame, developed and released by Innersloth games. It is a borderline omnipresent media thing right now and you may have seen it on like, kid’s t-shirts and stuff if you are lucky enough to be able to walk around outside right now. There’s a non-zero chance that you don’t know what this game is or how it plays, so I’m going to fly through that real quick.
In Among Us, players are dropped into a play environment (known as the map) with nothing but their little blobby toes and a team affiliation to their name. Then they’re required to do a number of tasks to ‘fix’ the map — like, getting a spaceship going, for example — and that’s it.
Oh, wait, that’s what you have to do if your team is ‘crew.’
See, in any given map, there is one, and maybe two non-crew members, that look like crew members but aren’t — they’re a fangly shapeshifting alien (or aliens) — and they want to sabotage the tasks and kill off all the other members of the crew. This is obviously bad, so, whenever a player discovers a body, they can call for a meeting, where the crew can vote on who they think is the murderer (or not vote, if they so want), and if someone gets a majority of the votes, they’re spaced.
This creates the basic systems of the game. The alien wants to isolate people and kill them in places that are likely to go undiscovered, build a cover identity and defray suspicion. Non-aliens want to get their tasks done without being killed, and without being perceived as suspicious, for fear of being flushed out into space mistakenly. Alien wins when they’re equal or majority of the crew, crew win when all their tasks are done or the imposters are disposed of.
There are, I think, maybe two forty year olds who read this blog who may be going: Oh, is that it?
And yeah, that is it.Continue Reading →
Two things before we start. One, I backed this game on kickstarter, because a friend of mine, Calvin Wong Tze Loon, talked about doing work for it on his twitter. I followed that, thought it looked good, and backed it. I have, therefore, a clear connection, socially, to the making of this game. As it happens, Calvin’s main job was editing the rulebook, and the rulebook is pretty stellar, but I would say that, wouldn’t I.
The other thing, before I talk about this game, I need to get one thing out of the way, up front. The kickstarter for this game, the reason I own this game, the access point for this game, describes it as:
A wondrous world of plants, potions and familiars await in Familiar Alchemy, a semi-cooperative game rooted in Scottish folklore.
See that? See them bolded words?
What I need you to know is that’s a fucking lie.
Content Warning, in case you miss it in the video itself: This is gunna be about, in part, the race-bending casting of Jason Liebricht as Lo Wang.
There are two stories about Raven Software.
For those of you not familiar, Raven Software were-slash-are a Wisconsin-based videogame development company founded in 1990. They were responsible, most famously to nerds like me, for the games Heretic, Hexen, and Hexen 2, a set of first-person fantasy shooters that used id game engines to tell you the story of multiple fantasy realms being assaulted by dreadful Serpent Riders.
The first story, the story I know I’m part of telling, is as an understudy company that stands next to id software and waits for them to be done with an engine before they make a game. This is a history that tends to happen when you work backwards; id software made Quake, which Raven turned into Hexen 2. id made Doom 2, which Raven used to make Hexen. id made Doom, which Raven used to make Heretic. When I spoke about Heretic earlier this year, I said this, even!
This is not a wrong story.
It is an incomplete story.
I did scrap my ‘talking about Season 7 of Hermitcraft’ article – and instead, you get this, me playing one of the minigames inside the world download.
Have you ever looked at journal games?
After the fold, there are my notes I used to build the audio for this video.
Be kind with energy,
Be cruel with purpose.
You can get the game on Steam, and also more importantly over on itch.io.
Well this is a weird one.
I don’t play Pixelmon, and Fox does, and it’s interesting. So, I decided to talk to her about the game, and the worldbuilding the server she plays on is doing.
Disclosure: I backed this book on kickstarter, and contributed art to it. I designed the flag of Grand Cross. I was not paid for this work, and asked for my payment to instead be given to charity. I’m friends with the developers – like, we know what kind of anime one another likes.
I went on a bit of a rollercoaster with Usurper.
First, I backed the game on kickstarter because it had some very modest targets, and a nice aesthetic, and stated it was using Gamecrafter. I thought it looked like a very good early effort for a game designer, backed it, and forgot about it for a few months.
Then it arrived.
What arrived was, as a game, a really robust little draft-position-play kind of game, with a thematic space I can only describe as ‘excellently obtuse.’ I had a look, I considered how I was going to approach talking about this game, and I put together a little list of thoughts that I laid out in the template for this article. As part of doing that, then, I went to get my due diligance and the links to people’s works, and places where you can buy the game, and found, to my surprise…
Here’s the video:
The rain rattles down against endless shimmering towers of silver and glass, black sludgy water, stinging on the way down, even the treatments making it ‘safe’ leaving it bitter, acrid, and faintly radioactive. No-one who knows better would be about in weather like this.
But nobody knows better.
The people mill around you, chips on their necks keeping them docile. What are they seeing? Do they even see the rain and the lines it leaves on the glass around them? Probably not. Every city runs its own sim, its own explanation for the world around them as the citizens move about, processing information and doing jobs and not noticing the world as it really is.
Imagine keeping a labor force like this in pods.
A world sized prison for humans, plugged into a vast wireless network of perception manipulators? Unnecessary. After all, if there’s ever a serious problem, they solve it with agents. Heavy, boot-and-coat wearing walking battle platforms, with no personality and big scary fuckin’ guns.
Agents from one corp, agents from another corp, they clash, and everyone else is left dead. More now we got the cult weirdoes, and the gangers who fell out of the network trying to stage an uprising.
This is the world now.
You fell out of the system, after that virus hit. And you get to see the world, as it is – as it tears itself apart.
This is Syndicate Wars.
Content Warning: Drugs.Continue Reading →