Category Archives: Media

I’m a media studies graduate and with that comes a raftload of tools that I’m repeatedly told aren’t actually useful for anything, to which I counter that I like using them and enjoy the experience of applying those tools to all the media around me I partake in and therefore my life is enriched and overflowing with wonderful experiences of interconnectivity. By this point the other person has usually wandered off. Anyway, this is the category for anything that I think of as being connected to ‘media’, whether it’s a type (like TV, music, movies or so on), a brand (like Disney! Hi Disney!). This category also covers my weekly critical engagement column-type-thing currently called Story Pile.

Bluey’s Diggers

The Australian character, it is said, was shaped by World War 1. The diggers, the soldiers we sent to Turkey to buy breathing room for Russia so it could push on Germany and reduce the impact on France. That is a good and comforting myth to have in which we get to do something cool and impressive and tough (partake in a war) while also thinking everyone involved is stupid (because they were) and conveniently ignore the complete lack of our own agency in it (why didn’t we say no?). It sort of crystallised the Australian character as liking and being impressed with war and death, accepting death as a potential consequence, and all that good grim military fantasism that paints us as hardworking even to the point of death, and also quite stupid in that we didn’t once consider if maybe the people we should be shooting at are the ones telling us to get shot.

But thing is, I have complicated feelings about Bluey.

A screencap from the TV series Bluey, episode 'Cricket.' It shows Bluey holding a tennis ball and preparing to bowl while her dad Bandit looks on with a smile.
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T-Shirt: Hazbin The Hotel

Hey, turns out that new cartoon for cool youths is something I really like. But I couldn’t just draw fanart of sometihng, no, that would be too sensible and good, noooo, so instead I decided that what it really needed was a reference to a 35 year old videogame logo from a time when that game was not yet a punchline.

Art of the characters Charlie and Vaggie from Hazbin Hotel, positioned in a way to invoke the Sonic the Hedgehog logo. The text on it, in the Sonic font, reads 'Hazbin The Hotel'

I am so happy with how this looks? It’s simple and crisp and I really like how Vaggie looks with her happy smile at Charlie like ‘oh, that’s my idiot.’ If you want it on something, you can get it on a sticker, or coasters, or a t-shirt, or, you know, normal Redbubble stuff.

Story Pile: Lords and Ladies

From time to time I talk about Discworld books, and I will usually say that there’s no reading order. I operate on the assumption that readers have a degree of object permanence, that they are capable of telling if a story happens before or after sometihng and that if you find a story of a character that includes a former drunk in one book, and then find a story of a drunk in another book, you will be able to put the sequence of events in a meaningful order without being overwhelmed by the challenge of the book. The Discworld books are contained stories for dedicated readers capable of managing the complexities of understanding that I could reach when I was twelve years old and in a cult, I do not doubt any adult curious about them will do fine without an authoritive reading list to ensure they do not miss any of the lore.

But.

Ugh I hate that.

But but but but. But! There is a single Discworld Book that I know of (now) which opens with an author’s note that you need to be at least a little bit aware of previous stories in order to appreciate the events of this book. And then it tells you those events.

If I did this more often, I imagine I’d introduce these things by hey, let me tell you about my favourite Discworld book. But let’s do that anyway. Don’t worry, no major spoilers, just a sort of vague gesturing at the plot that’s already covered by the book jacket.

The original cover of the book Lords and Ladies. It shows a  witch holding up a torch in one hand and a broom in the other, while looming into the personal space of a tall, antlered giant of a humanoid. Behind her is a surprised looking indescribable person.
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Planar Lensing

How many wheres are there?

There are three major media franchises these days that all work with the idea of multiplanar worlds. Sometimes this involves creating a huge and complicated network of just coincidentally competing brand merchandise lines, where two companies bickering about a contract results in a storytelling direction that explains why Uncle Ben is a different guy, but sometimes it’s a direct choice and it’s done because you want a new place to be, a new whole world to play with.

When building worlds, adding these ‘alternate worlds’ – referred to as planes hereon out – can be a great way to continue the ongoing need of the worldbuilder, which is where am I going to put all this stuff? What I’d like to present here are just some ways to talk about how you’re using planar spaces in your worlds.

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Story Pile: 16 Bit Sensation (And Another Layer I Guess)

Ah, Talen month, Talen month! A month where I celebrate media I love, or maybe media I really want to talk about. Media I want to talk about possibly because I think it’s a topic I would normally find too mean, or too cruel to focus on. After all who wants to hear me vent or complain or just drag something for being mediocre.

I do!

It’s Talen Month, and this time around I’m going to do something different in that I’m going to talk about something amazing, something I love, a manga that I think is genuinely, wholeheartedly excellent that you can blitz through in an afternoon, and also, uh, the anime spinoff of it that serves in my mind as one of the examples of how 2023 just was a mid freaking year for anime. I want to talk to you about one of my favourite genres of media, ‘people making things from an insider perspective, with a dash of economic structures,’ and then one of my least favourites, ‘spinoff that is embarrassed to be associated with a much, much better piece of media.’

A cover from the 16 bit sensation manga. It shows Meiko resting her head on a computer.

Up front before I dive in, I’m going to talk about both the manga 16 Bit Sensation and I’m also going to talk about the anime with a similar name, 16 Bit Sensation: Another Layer. I’m going to spoil details about the storyline of Another Layer, which I don’t think should be a problem because I don’t think it’s any good and it’s not like spoiling it would be in any way a diminishment of your enjoyment of it.

Because I don’t find it very enjoyable.

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The Brilliant Fool

Normally when I write here about a Transformers character, it’s a character who has some significance to me as – well, honestly, as an example of a kind of person I could be, growing up. Blades gave me a lesson about quelling the want for violence inside me and also how defensive violent bf /softboy medic bf was a top tier pairing, and Dinobot gave me lessons about dying well in the face of oblivion, a lesson that I thought I needed really soon when I got it. There are Transformers I love because of jokes, Transformers I love because of association with toys and there are some Transformers that I love because they are, through no fault of their own, completely useless doofuses.

Let’s talk about Wheeljack

a picture of Wheeljack
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Story Pile: You Were Never Really Here

It’s entirely possible for an immaculate vibe to be of something that is, itself, rancid.

The movie poster for You Were Never Really Here.

Content Warning: This is a movie with a lot of suicidal ideation and the sexual endangerment of children and teenagers. You don’t see anything but it’s absolutely part of the plot. I’m also going to describe things that involve the later part of the plot. If all you want to know is ‘did I like it,’ I liked it a lot and I consider it a very good example of a very specific kind of media I like.

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Mistral Motion

I think about the responsibility I have to an audience.

TISM Play Mistral For Me

One of the fun things about getting older is seeing the ways that things you have had in your head for a long time have endured. You get to see the thread reaching back all those years and how many things you’ve got that you do that you can connect to odd or interesting sources. Fox and I routinely reference Strong Bad Emails at one another, sometimes with the right level of levity (“look who thinks he’s clever dan“). Quotes from the Bible, inflections from 1990s sitcoms, the occasional idiom from a They Might Be Giants song. Sometimes, I’ll stop mid-sentence and we’ll have a little chat about oh, huh, I guess that’s where that’s from, huh.

These are literally memes; they’re transmisable ideas, things that cling to the memory and can be easily exchanged, which in turn promotes their existence. They are used for a meaning below their exact meaning. If I say someone’s Clever Dan it’s bringing with it a framing that speaks of children’s cartoons.

It takes a great person to get an idea
But don’t go public, it’ll ruin the plan
‘Cause no matter how intelligent or clever you are
You’re only as good as your fans

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Story Pile: Hazbin Hotel

sigh

so I like this a lot I guess.

It wasn’t like I approached Hazbin Hotel expecting to find a thing I loved. It was something a friend was interested in and I watched it with them because I love them to pieces and it seemed interesting enough. I wasn’t expecting to really enjoy myself so much – in fact my predominant thoughts about Hazbin Hotel prior to that was that it was media made for someone younger than me with a reference pool shallower than mine, an Edgy Cartoon made by someone who bootstrapped their way into heading up an animation studio. Quite frankly, the story to me of how Hazbin Hotel happened was so much more interesting than anything Hazbin Hotel was offering me!

Here’s your line though! This is your Spoiler Warning for a series that’s got hidden information in it (though doesn’t every story), and your Content Warning for a series that’s pretty heavy on cartoon sex references, drug references, and over-the-top violence. It’s pretty funny in terms of what kind of show it is in that okay, aside from more f-bombs than you’d assume and more c-bombs than I’d ever expect, but other than that I don’t feel like it does a lot with its higher rating. Still:

  • Parental neglect
  • Drug addiction
  • Alcohol addiction
  • Gambling addiction
  • Sex work
  • A friendly local neighbourhood serial killer
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Story Pile: Christine

Christine is a 1983 horror novel and movie about Stephen King’s ongoing fascination with What If A Thing Was Evil. Having done clowns and spiders and dogs and being alone with your wife, Christine wants to bring this powerful critical tool to bear on the question of What if A Car Was Evil? Would That Be Fucked Up Or What?

Set in the 1970s the story –

The story –

Look I’m going to spoil some things, so like, spoiler warning.

A screencap from the movie Christine.
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Story Pile: Buddy Daddies

There’s a lot to be said for mid anime, in quality and in scope. Not an epic sprawling story meant to spin off for multiple seasons. Not a mystery that promises a resolution that it may completely bottle. Not trying to change your life, just trying to get you to tune in and look at some ads and maybe buy a wall scroll or two. Or fill out the extensive entries on the Internet Movie Firearm Database.

Buddy Daddies is a fundamentally a more ‘realistic’ show than you might imagine. It’s an unreality of high speed car chases and gunfights in cities, rather than grand political drama or telepathy and future sight. It’s grounded in that the characters have to spend time dealing with things like day care and clothing options and Japanese cultural assertions about how to blend in. Sometimes there are anime made because it lets them represent transitions between worlds and remarkable special effects and build on a particular visual language, but Buddy Daddies is an anime that doesn’t do anything you couldn’t do in a live action TV show, except doing it very cheaply and conveniently.

Here then, is your pitch: It’s an action comedy about a pair of single dads who adopt the same daughter, and also, they’re professional murderers. Hilarity ensues. Well, mild hilarity. Well there are jokes.

Modest spoiler warning ensues. I’m not about to tell you anything that you couldn’t predict looking at the poster.

A screencap from the anime Buddy Daddies!. It shows the principle cast standing in a line.Miri has been subtly edited to be higher in the frame and nobody is going to comment on this to me ever.
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Goblin, Vandal, Sugg

Every word you’ve ever used comes from somewhere. The structures you use to discuss ideas is informed by ideas that came before it. I’m not getting all Sapir-Worf about this (and if you don’t know what that is, you don’t have to know because it’s probably not true), but rather wanting to draw your attention to the way the world you live in is in part defined by the words you use. If you’re an English speaker, there are ways you describe food that are a byproduct of French invasion centuries ago. Words like ‘technocrat’ and ‘hyperspecialised’ are constructions that borrow from how intellectuals used to use Latin. Your swear words are almost all from the poor working class, and used to describe sex, god, or excrement, and that’s not how all swear words work in all cultures!

Your world shapes your language.

In any given fantasy setting you work on, you don’t usually have the same linguistic history to justify why the people there talk like we talk now. In fact, to be completely fair, they probably don’t talk like us at all: you have fantasy languages, across fantasy constructions. Any given phrase a character in your world says is probably not using the exact same words as we are and we’re all working with a sort of fictionalised fantasy that makes the concepts reasonably translate across.

There’s a whole treatise then about how we handle Native American names and loanwords that we italicise like etouffee.

Point is that you have words, in your world, and you can attach stories to them. You’ve probably seen me talk about Orcs and how they relate to language and stereotypes, along in my long post on the word ‘Orc’. Here’s another set of examples I like for my world of Cobrin’Seil, as they pertain to the best little evolved raccoons, the Goblins.

an icon of a goblin hut
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The Haka

Thinkin’ about the haka lately.

If you’re not familiar with haka, and I’m saying this before I check a wikipedia page on it it is a cultural celebration perhaps best compared to a dance, from the Maori culture out of Aotearoa, which I more commonly refer to as New Zealand, because it’s a habit and it dies hard. But yes, you may have seen this before, a scene of a group of usually men, usually rugby players, standing before an opposing team and doing a synchronised performance. I’m reluctant to call it a dance just because I know that dance is an English word, and I don’t necessarily want to distract from what haka are by what you might imagine if I call it just a ceremonial dance.

There’s this story that shows up about the haka, and it tends to be how people in the Northern Hemisphere finds out about it. Someone plays against the Aotearoan team in a sporting event, and the Aotearoan team opens by doing their haka. Then you get some early sports headline like:

Ireland unmoved by New Zealand Players’ War Dance

Followed by a headline an hour later like:

Ireland loses 16-2 against New Zealand.

And this is, to me, very funny, because why would you mention the haka and then why would you mention how Ireland was unaffected by that. And I’ve seen this headline structure multiple times! And part of that is a little bit unfair, because the haka is but one part of that story, where the bulk of the story is that international Aotearoan sports teams are made up of people really good at the sports they play. The footnote though, the thing that always hangs around the edges of it is people trying to express in some way of rearranged words that haka is somehow, bad. That it’s not cool as hell, that it’s inappropriate, that it’s being used at an inappropriate time.

This is, of course, racist as hell.

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Story Pile: Bee & Puppycat Comics

Up front, I guess I should say that after finishing the article, I found Bee And Puppycat an incredibly disappointing set of comics because I made the fool mistake of beliving they were ever going to be something they never told me they would be. I saw the cover art showing happy people in an energetic state and the idea of a temp magical girl resulting in perhaps something like an adventure or a quest or a hijink and never considered how many pages would instead be about comparing poo and chocolate. Still, there’s an interesting history to what these comics are and I’m sure you might like them if you try them and you know you’re only getting the packing peanuts between a story rather than any kind of story in and of itself.

the cover of bee and puppycat volume 1
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The Yawning Boredom Of The Word Epic

Good god this is a dull word, right?

Cancon was a fun convention, I liked it a lot. But while I was there, I saw this word being worn into a groove in my brain. It was an all-purpose descriptor, a vague and generic positivity, a detailer of scope and an encouragement for engaging, and every time I saw it I felt a bit of my brain shut down in response. I think some of this is just the normal overuse of meaningless words. If someone described a game as being ‘lit’ I would probably also just as much immediately ignore that descriptor. Packing peanut language, that kind of thing.

And I know it’s rich, coming from me to complain about overuse of cliche. I just said ‘packing peanuts’ which is something I am very selfconscious about saying a lot.

It’s not just the ungoogleable game Epic by Wise ‘Maybe We Don’t Want To Be Called White Wizards Any More’ Wizards. It’s also games like Epic Spell Wars of the Battle Wizards: Duel at Mt Skullzfyre or Epic Resort or Tiny Epic and their franchise of genuinely exciting little games, or Crafting Epic Dungeons or Epic Scenery or Epicness Incarnate or Warhammer Epic or Epic Confrontation and you might not know if I made any of these games up, or all the other things I saw on the convention floor that just kept using the term, and every single time made me realise that in so doing, I now knew less about them than I would if almost any word was in that space.

an icon showing three divergent arrows

What is ‘epic’ for?

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Story Pile: Skip & Loafer

Why Talen, you may say, this isn’t smooch month any more. This is plain out ordinary March! March is a time for pi day and references to ‘march forth’ and more resentment of American culture for its permeating omnipresence! What’s with this anime, which is obviously a smooch month anime, set apart from its normal and natural habitat of the month where I talk about people doing smooches? It is, after all, so very, very obviously, an anime about a pair of characters who smooch, right?

Skip and Loafer | OFFICIAL TRAILER 2

Right?

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Remote Romance Is Older Than Boomers

Have you ever seen the word Swalk?

If you read, say, Biggles-style media, if you’re interested in World War 2 period media, you might have seen it, S W A L K, somewhere, usually on a letter, sometimes graffiti, maybe sometimes mentioned aloud. I saw it on a BC comic, by Johnny Hart, which isn’t an archive worth diving for an example. I can just imagine Hugh Lawrie saying it, in that doleful, soppy, romantic, I-know-I’m-the-stupid-person-in-the-room way of a Blackadder or Jeeves And Wooster episode, though I’ve no idea if at any point he says it. I know it came up on an episode of QI — part of a technique that came up in World War 2 for communicating a crude message to the recipient, in a way that looked deniable to anyone overseeing it.

See, you might see, on the back of an envelope, the letters SWAK or SWALK. It stood for ‘Sealed With A Loving Kiss.’ There were others like BURMA and NORWICH – and they were, mostly, filthy. It’s a touch of human contact during a period of extreme deprivation.

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Story Pile: Insomniacs After School

Introducing excellent things is hard. It’s hard for me because I naturally stray towards the understated or the contrary. You’ve probably heard me call something ‘boringly excellent,’ for example, and that means when I call something incredible or amazing, you might think that puts it on the same category as a really good sandwich or a really interesting academic concept, as opposed to here, where what I want to say is this romance anime is so good I find myself periodically nostalgic for the childhood it depicts that I never had even though it’s about kids with anxiety struggling to make a lot of friends.

This is an amazing story, it has lovely moments, it brings me joy, and I want to share that with you.

Spoiler Warning: I’m going to disclose some facts about the end of the series, and the nature of the kind of show it is, and what kind of show it’s not. Like, if you think ‘this series doesn’t include a mech battle’ is a spoiler, then yeah, you got me, it’s a spoiler, but I don’t plan on going deep on revelations about the eventual plot, okay?

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The Girl Who Loved Powerglide

Wait wait wait no this is about Transformers.

Transformers, in the 1980s, was a toy commercial. It was a toy commercial in the purest sense; every component that made it up was made in service of its purpose as a commercial material that was meant to frame commercials around it. It was, in the way that modern creators are struggling to avoid mentioning, hash-tag-content. There’s a standard opening, a standard ending, and three bumpers for just before The Commercials (Transformers Will Be Back, After These Messages) but those messages weren’t important. Those messages were other people paying Transformers money for making Transformers, but Transformers was double dipping. They were getting paid money to sell the space for these advertisements in their advertisement, for their toys. These bumpers were so important that in some episodes, the third bumper would appear, then an ad break and you’d wait through the ad break to come back to just watch the ending credits of the show. Got me again, there!

A screencap from the TV episode 'The Girl Who Loved Powerglide.' It shows Powerglide in flight.

These toys imposed a material demand on Transformers as a cartoon. Episodes wanted to focus on the toys that you could buy, and this meant that people got attached to toys with certain trends. For example, while there was Fortress Maximus, that toy had an original price tag of around $99 United States Eaglebucks, and as a result, there were maybe four or five episodes of the show that bothered to show you anything to do with Fortress Maximus despite him being basically a city they lived in.

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Story Pile: A Tail Of Love

As is tradition here on press.exe, I feel it’s important that any consideration of smooch media include something that’s complete crap. To that end, I watch a Hallmark movie, a bottomless trove of skidmarks, and I bring along Fox to talk about it with me. Since Fox needs a hook to watch a Hallmark movie, we inevitably watch a movie that is about Dogs, because you can rely on Hallmark to make dog movies that are completely bananas.

The poster for the Hallmark movie Tail of Love. It depicts two generic white people looking out at the camera, holding dogs, in front of a neutral blue background.

The Unhinged Performative Heteronormativity of Shikimori’s Not Just A Cutie

Hey boy. Does your girl:

  • Change her gender presentation mid-volleyball match?
  • Demonstrate the kind of expertise in dire circumstances from a martial arts superhero story?
  • Deliberately change her gender presentation to become a perfect girl as represented in Shoujou Manga?
  • Take her rivals for your affection out on day dates where she gives her gifts and wins her prizes?
  • Flirt with your mom?

Then she’s not your girl. She’s Shikimori from Shikimori’s Not Just A Cutie and I’ve just been stewing about how unhinged that series is.

Spoilers ahead!

A screencap from the anime Shikimori's not just a cutie. It shows Shikimori from the opening thinking about clothes
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Story Pile: Tomo-Chan Is A Girl!

This time last year I wrote about the at-the-time meme-of-a-show, Shikimori’s Not Just A Cutie. That anime was ‘renowned’, because it had a really good trailer, and by really good I mean it made a bunch of lesbians sigh. Perhaps because it was first brought to my attention by a bunch of women saying ‘I want to be her’ or ‘I want to be hers’ I first approached that series wondering if this was going to be an ultimately unsatisfying experience for y’know, queer women. This meant I watched all thirteen episodes expecting or imagining something else was going to happen, attentive and focused for some possible insight into whatever this anime was doing that was a bit different, a bit cleverer, and in the process, I wound up really enjoying the series. I liked it, I liked the characters it showed me, I liked a lot of the jokes (even wound up sharing a few of them) and I thought it was a really good launching off point for some discussions. I still think that it’s one of the better articles I wrote last year, and part of why was because I took an anime about a subject I’m normally not interested in – romantic comedy – and gave it a fully focused, critical look.

the promo poster for Tomo-chan is a girl, showing Tomo and whats-his-name back to back. The tagline is "I may be tough but I still want to hear him say 'I love you.'"

That was the lens for Shikimori’s Not Just A Cutie, and it encouraged me to try the next thing in the same genre that caught my eye, which is why I watched Tomo-Chan’s A Girl, another anime that promised to be about relationships to gender, relationships, and how difficult it can be for two completely compatible people to get over their own hang-ups and actually talk to one another about how much they want to kiss. This is a great follow-up to Shikimori’s Not Just A Cutie, though, because it means now I have a point of contrast for Shikimori’s Not Just A Cutie with a much, much dumber show.

Content Warning and Spoiler Warning! Tomo-Chan Is A Girl is a series that has some low-key gender feels (a woman wondering about how she can be legitimised as a woman) and some pretty lousy ways for people to talk about girls, and oh also, an incident of sexual assault in the second episode.  I’m going to spoil things in this series, as indicated by that mentioning of something from the second episode.

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Homestuck 1/2

Alright, look, I made the banner graphic let’s tear the bandaid off.

a banner in the Ranma 1/2 style that says 'Homestuck 1/2'

I make fun of Homestuck and have no intention to stop doing so, but I do so based on the series and interactions with its fans and the creator’s opinions and – look I’m not doing a good job of setting this up, this is a very meta and tortured introduction that doesn’t get to the point, and therefore, by Homestuck standards, it’s good. But what I am trying to get to is that Homestuck is a space that’s super important to people in a way that to me, an older internet denizen, rings true of the Ranma 1/2 fandom.

You know, it was a space full of romance roleplays and weird sexy exploration, and a bunch of queers used it to work themselves out and in the process learned from one another about what it meant to be queer.

I think the overlap between these spaces is a synthesis of three ideas: Isolation, Play, and Smoochiness.

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What’s Marriage For?

Marriage is a thing that’s so important to our culture and media that you’ll see it in an embarrassing quantity of everything. Setting aside media genres that are just dedicated to some version of it (and yeah, a lot of those ‘romantic’ things people are making are really just just about marriage things), there’s still stuff in our language and everyday common existence that speaks of marriage. If nothing else, consider we have a mode of address that specifies whether or not a woman is married, and asking to not be treated with that language is seen as a different dispensation. It is, to the audience of most of this conversation, a thing that The Empire tells us

What does it mean to be ‘married?’

an icon showing a pair of linked rings
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The Ranma 1/2 Subreddit is Repeating History

When you get older you start to see cycles. Things that are new and horrifying to you, later in your life, you can recontextualise those things compared to other new things. I saw the Soviet Union collapse and I saw 9/11 happen within ten years of one another, and uh, that prepared me for basically nothing. Bad example. Oh the financial crash of 2007, which led to a financial crash of, uh, you know what maybe I picked some bad examples. But you know one thing that’s cyclical in a way that can be appreciated and not a huge bummer?

Fandoms.

A screencap from the anime Ranma 1/2. It depicts Ranma, Soun, Shampoo, Ryouga and Mousse. They are just posing.

Platforms come and go and when platforms are convenient to build on, fandoms will form and reform on platforms. Old cliques and ideas be fled and new societies will bloom around the same core texts and they will always differ, they’ll always have their own varieties and peculiarities, but some things, some things will endure.

Like Ranma ½ discourse.

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Can a Bird Love A Falcon

Since last year’s Locked Tomb readings got me nostalgic and retrospective, it was only a matter of time before I retreated back to earliest media of my post-cult life, the stuff that stands tall in my mind as some of my first lessons in how to be normal. So I picked the thing with a bunch of PTSD and existential horror.

Let’s talk about the Rachel/Tobias ship.

an angular icon of a hawk

Spoiler Warning: If you’re ever planning on reading the Animorphs story, this article is going to spoil some events that happen in the last half of it. And since this is about Animorphs I guess Content Warning for war death trauma body integrity horror uh mind control uh cannibalism uh what’s the term for beating someone to death with one of your own severed limbs, that.

That.

Animorphs is a lot.

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Story Pile: D.E.B.S.

The term ‘cult classic’ gets used more than I’m comfortable with what with having been in a cult and not being considered classic by anyone, but I do think it’s important to recognise that the term has some weight. For example, this movie, D.E.B.S, pronounced ‘Debs’ is considered a cult classic of LGBTQ media. It does this in a way that if this movie came out in 2023, it would be considered a pretty funny epsiode of a TV Show, with no edge or bite to it. It looks like a pretty fun Onlyfans promotional poster. It has the overall aesthetic of The Porno Version Of Itself. D.E.B.S. is a lot of things and one of them is cheap.

A screencap from the movie D.E.B.S. It depicts the principle characters posing with guns.

But it’s also a lot of fun.

Content and Spoiler Warning: I think it’s important to say up front that despite being a pop-punk comedy movie from 2004 renowned as a ‘cult classic’ in queer communities, this is a movie that both asks and tells, and to my surprise featured just one instance of ‘oh well that didn’t age well’ in the form of an incidental drop of the r-word. I’m also going to spoil the whole movie’s plot but don’t worry if you’ve ever seen a TV Show you’ve probably already spoiled it for yourself.

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Story Pile: Afterschool Dice Club

Hey this is a blog where I tell you stories about games so what if I told you about a story that tells you stories about games? Well, would you believe there’s an entire anime in the Cute Girls Doing Cute Things genre that’s just… about games?

No no no – not videogames. Nor making videogames. Not any of those anime about MMORPGs. Not even the ones that are tie-ins to games like the Atelier or Persona or Legend of Mana anime. I mean an anime about board games. Yeah, I found one of those!

It’s really mid! And I love it!

A screencap from the anime Afterschool Dice Club showing a blue haired girl looking at a board game.
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T-Shirt: Reading Ralts

This one might not be around for long. Consider it a ‘limited run’ design. Typically speaking, anything that’s too obvious and related to Pokemon, even if you draw the art yourself, gets bumped off the Redbuble store, eventually.

A shirt depicting a Ralts pokemon, sitting in a pile of cushions, reading a book, with the catchphrase around it reading 'Do What You Want To'

Point is, I drew artwork, back in 2023, of a Ralts having a chill time reading a book, with a message I personally think of as inspiring, and put them on a shirt. This design was made for someone in particular, inspired by them, but I don’t want you to be deprived of it. I have my copy now, so I don’t need to worry about it being, like, taken down too much…

But you might want a copy of it.

Here! Check it!

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