Decemberween ’23 — Survivor Histories
Last year I spoke about how I had taken to leaving a channel of ‘horror movie summarised’ videos up on a second screen while I watched. It was effectively, asking a nerd with some very shallow media analysis skills to advertise horror movies at me and while I found it meaningfully engaging for just long enough to get my brain around the problems I was facing at the time, it was remarkable the ease with which I completely dropped the entire idea this year. I think I wrote that article and immediately forgot even the name of the channel, which is why I haven’t gone and looked it up since, even though as you read this and as I write it, I should be linking it. It’s a blog, it should be cross referenced.
But nah.
Anyway, I think it’s important to recognise the junk food you eat. This year, I spent a month or so learning everything I ever wanted to know about Survivor, and then forgetting it just as quickly.
Decemberween ’23 — This Year’s ASMRtists
If you’re not familiar with it, ASMR is an abbreviation meaning ‘autonomous sensory meridian response,’ a science sounding name for a reaction that some people get to a range of stimuli. This effect can be caused by a whole host of triggers but at least in the community on Youtube there’s a body of people who engage with it because of its ability to affect relaxation and restful mindsets. If you’re not familiar with what this looks like, it looks like a bunch of people making long videos with a strangely hushed affect.
And I watch and listen to them, to help me relax!
If you are familiar with it, hey, here’s some of the artists I’ve been watching this year, as the ASMR effect shifts around in my head and how I respond to it. One thing that people who don’t experience ASMR might not realise is that you can rely only on the effect being modestly unpredictable. Some stuff may cause it reliably for months and then suddenly, nothing. It pushes me to partake of new things regularly, and to that end, every year, I try to look at what artists are ‘new’ to me that I haven’t mentioned before.
Here then are four artists that I started paying attention to this year:
Continue Reading →Game Pile: Just One
Chances are if you’re like me, you’re going to be dealing with some family gatherings, and those gatherings are almost certainly going to feature downtime where people are looking for something to do. And again, if you’re like me you might be thinking well this is the time to bust out a board game or a card game and you have to resist that urge. You have to resist the urge because this is not the time to teach someone how to play Resistance with its tension and its lying and its complicated steps. Right now, you need a party game, and you need a party game so good that it’ll work for almost any grouping that are capable of engaging with the idea of playing a game together. I don’t have a lot of party games in my collection, and I know what my collection would look like if I was limiting myself to …
This party game is one of the easiest games to get playing out of any I’ve ever played. It’s a game that lives alongside other party beasts like Codenames, Werewolf and even the basically-free A Fake Artist Goes To New York.
Continue Reading →Decemberween ’23 — Smogon RBY Afficionados
This is pretty funny when you consider last month I wrote three thousand words about how I think Smogon has a fundamental problem in terms of its game design toolkit. Wa hey anyway.
I’ve talked about how when it comes to any given internet niche you run the risk of running headlong into the cursed distinction between ‘pronouns in bio :)’ and ‘pronouns in bio :^)’. There are a whole lot of spaces on the internet where you can always find someone who knows way too much about it and is happy to infodump to you about it, and for the increasingly pointed niches, those interests are usually represented by a truly sweaty nerd or some detail oriented queer person. It is in this space that I wish to proffer to you two people who make interesting material about Smogon.
Not only Smogon, but the part of Smogon focusing on a game mode which has three Pokemon that probably are 100% represented. That’s right, Red Blue Yellow, the oldest metagame of all, and the weirdest.
Let me show you the work of Plague Von Karma and Big Yellow.
Continue Reading →Decemberween ’23 — Adventure Game Speedruns
Sometimes a creator has a central hook to what they make videos about and it’s nice and easy to share. OneShortEye makes videos, at the moment, about speedrunning adventure games, a type of game that’s largely seen as not being about speedrunning.
And they’re great.
You can just watch the channel by glancing it any time you want. It’s just a list of videos, and you can pick the ones that interest you. I want to talk about the ones that interest me, specifically. And disclaimer: I like pretty much all these videos. Like, the Laura Bow videos are interesting. The Monkey Island ones are interesting. The Owl Quest one, which is a joke, is interesting.
But if you want a sort of sense of continuity across these things, I want to draw your attention to the near-complete anthology that describes the speedruns of the Kings Quest games.
Continue Reading →Decemberween ’23 — Behind The Bastards
I like depressing media, apparently.
Produced by Robert Evans and a bunch of other people I can’t immediately credit off the top of my head, Behind the Bastards is a podcast that releases about three episodes a week, with a standardised format of Robert, with research on hand, explaining a historical narrative about the worst goddamn people in history, both current and in the past, and the ways in which their ways of being have resulted in a suckier world. Evans’ particular style of journalism is extremely dry and sarcastic, but also seems to project just holding tight on a deeply white hot held rage about the world and the way it is.
And he podcasts about it, reading this story to a friend, who gets progressively more sad and upset over the course of the episode.
Continue Reading →Story Pile: Beauty and the Beast: The Enchanted Christmas
Fox and I bring back the Disney Animated Canonball band together for one last ride as we look at the attempts of Disney to use their existing characters to tell a Christmas story. It’s not good! In fact, it’s pretty dire!
Decemberween ’23 — Dweebovision
We live in an age of external participation in games. Watching people play games is so long-lasting a practice that I literally cannot imagine a place it started. Even the earliest games have examples of people caring about the outcomes of games they weren’t playing, one way or another. The immense video firehose that is the internet and its significantly lowered cost to engage is a way we can take formerly niche games and present them to their audiences.
David Webb is Very Good at Scrabble and word games. In the ecosystem of British Television, he is a serial prize winner, showing up on various TV shows, and winning you know, teapots and houses, and whatever else British TV gives people as rewards for winning on their particular kind of game shows. If you don’t want to watch for reruns of 90s TV shows to see Mr Webb at work, though, you can tune into his Youtube channel, and watch how every few days, he presents a new Scrabble match against high-level players, with extremely detailed, clear step-by-step thinking of him trying to win the game aggressively and how he does it.
Continue Reading →Decemberween ’23 — Skip Intro
I think I’ve done a great job of making this month’s festival of free media for your engagement particularly educational, and I’m not planning on stopping. Part of Da Ween is revelling in honestly appreciating the things I really like, and so, I should, surely, share these things that make me laugh, make me smile, and make me think.
Anyway, I watch Skip Intro to learn about American policing systems as represented in media and provide a comprehensive breakdown of the different facets of copaganda, an insidious practice that’s used to reinforce racism and classism and just all the isms that capitalism likes.
Wheeee.
Continue Reading →Game Pile: Burning The Gavle Goat (Is A Game)
Decemberween ’23 — Drawfee
If you’re passingly aware of being funny on the internet, a discipline started with Seanbaby, perfected by Loading Ready Run and then monetised by College Humour, you might already know about Drawfee. The Dropout network, the continuation of the thing that once was College Humour, has its own spinoffs, and its own subscription service.
I don’t have the subscription service, mind you. I just look at the stuff made by their artist spinoff, the artists who run a channel now known as Drawfee.
Drawfee is an artist channel, where the general gimmick, as repeated, is that they take your dumb suggestions and make even dumber drawings. They don’t, usually, the art they produce is full of character and life and there’s all sorts of ridiculous joy to be seen while these friends draw and talk to one another about drawing. There’s some stuff that talks about general trends in art – like the Octobertober, where they do a bunch of October art challenges, every day grabbing a bunch of random prompts from a different kind of art challenge, whether Cutegirltober or Inktober or Cringetober.
There are typically four standard artists – Karina, Jacob, Nathan and Julia – and they have distinct voices, art styles and interests. You’ll pick up pretty quickly who likes doing what, depending on the subject matter. Nathan has a very low key, chill vibe, Karina is a gremlin cat with a knife, Jacob is Standard Male Art Nerd, and Julia ignores the brief. And… that’s it. That’s the show. They show up, they make a video about them drawing, and that’s half an hour show, every few days. There’s a stream channel as well, for more long form art where they talk to one another, which has the energy of, well, hanging out with other artists.
Continue Reading →Decemberween ’23 — Technology Cult Documentaries
About a month ago now, I had a chat with a peer at work. We were talking about the way that one of our cohort had started research into the NFT Marketplace, and it was a rough place to be because he had to open every talk and presentation with ‘I know, but,’ and that was just fundamentally rough as a place to be as a researcher. We got talking about it and I mentioned, offhandedly, how all of the conversation around these things were obviously fake to me, and something like this followed:
Haven’t any of these people seen a cult before?”
“No, uh, I do think that that’s really a you thing.
And this stuck with me. I know about cults because I was in one. I had to dismantle the experience for a long time to get a handle on it. And right now, the way that cults had formed in digital spaces, meant that that kind of weird social experience might be so decontextualised people might not even notice them.
Fortunately, Dan Olson of Folding Ideas has done some great documentaries about cults that coagulate on the internet.
Continue Reading →Decemberween ’23 — Mormon Histories
Last year I spent a chunk of time listening to a Rabbi explaining the differences between Tanakh and Christian translations thereof, and that was really interesting. Despite all this, though, I never quite turned the corner and decided that actually, dude was in the right and it was time to convert to Judaism but in the process, I still learned a lot and enjoyed what I learned. Notably, though, that was an active participant in a faith with real, meaningful scholarship about actual historical events and real translations to work from, exploring and expositing the truth of them as best he understood it. That was really interesting to me.
When we talk about Mormonism, those tools aren’t going to be useful.
This is because Mormons are absolutely founded on complete nonsense.
Continue Reading →Story Pile: The Christmas Shepherd
This Decemberween, Fox and I continued our tradition of watching a Hallmark movie, about Christmas and Dogs, with the amazingly named The Christmas Shepherd. Did we get dog training weirdness like we saw last year?
No.
We got something way weirder!
Content Warning: Dog Theft?
Decemberween, Twenty Twenty Threen
Hey are you new here? Statistically speaking, no, but I’m still going to act like you are.
Long and short! Decemberween is here! All normal article content is suspended! Story Piles are going to be about Christmas movies and Game Piles are going to try and focus on things good for social experiences around family gatherings!
You can press more to read more about the kinds of things you’re going to see this month, or you can just go ‘oh okay, I’m not going to get a weird long-form story about a magician who lied about attacking the Nazis.’
Continue Reading →USP-11: November’s Custom Cards
In a world of adventures and conspiracies, with competing factions of shape-shifting identity thieves, there is always a chance that something can go wrong, that even the best and most elaborate plan can be thrown into disarray. There is no magic you can lay out that’s so reliable it won’t have someone finding a way to pick at it, to undo it, to render all your own planning, your own strategy for nothing.
Sometimes it’s for the subtlest of reasons, the positioning of a Masqued knife in the right dinner meeting that means a careful machination simply fails to happen. Sometimes, a goon from another world can show up, and out of sheer pique, decide to punch you in the face.
Warning: Wizards employees, this post contains unsolicited designs of custom magic cards.
Continue Reading →Game Pile: Free Stuff!
I talk about games all the time but I am also crucially talking about commercial products. When I talk about TTRPGs or videogames, I’m usually talking about games that you can’t play for free, and that’s a bummer. I don’t like the idea that my writing about games primarily requires some degree of effort or money on your part to check, as it were, my working.
But there are some games I played this year that are free, and I think are interesting and cool and I’d like to make sure you know about them. In the tradition of Decemberween Twenty Twenty Threen, this Game Pile Post is just about a handful of freely available games that I like and want to recommend you try out.
I remember one year I made the Game Pile articles entirely games you could play at parties with friends for no money, like I had some kind of idea of how a Christmas gathering should go. My upcoming Christmas gathering is going to feature someone recovering from COVID though, so like, it’s on my mind how close I don’t want to sit to anyone.
Anyway, free games!
Continue Reading →November 2023 Wrapup
Ostensibly, this is the last article of the year that follows the ‘normal’ pattern of the rest of the year. There’s a whole month more after this, but this is kind of the last spot I have to put anything that doesn’t fit in Decemberween… … which is to say this is my last chance to be spiteful, mad, or cruel about something. Not that I spend a lot of time doing that, but it’s definitely the point at which I have to get any last minute spite out the door.
Oh, you don’t need to worry, you don’t need to worry about that at all. I’m not going to burst into vituperous rage over something, mind you. It doesn’t show up this month.
Much.
The Gliscor In A Coal Mine
Gunna talk about Smogon here. Oh, you don’t know Smogon?
Weeeeell, deep breath.
Smogon is a Pokemon fangame played with the basic components of the videogame series Pokemon, which is itself, made by Game Freak and distributed by Nintendo, which you’ll probably recognise as one of the largest privately held companies in the world. Smogon, by contrast, are a forum and some emulators and a surprisingly dense little bubble of Youtube content.
‘Smogon’ in this context refers to a bunch of related games, that form a single fandom game, a folk game. They have, in the terminology I’m fond of using, made a game out of another game, which is a super cool practice I actively encourage. It’s how we get great things like, for example, the entire Legacy subgenre of games, from its dizzying heights of Pandemic Legacy Season 1 to the shocking lows of Pandemic Legacy Any Other Seasons. I like Smogon as a thing to observe through some sort of astrolabe or other technical device. I have no particular interest in engaging with the game itself, as they play it.
I don’t want to get into a play space with these people.
Not because they’re bad or anything, though they are overwhelmingly split between the still-thinks-he’s-on-4chan shithead vs autistic trans girl social binary of internet niches and you’re never sure what side that coin is landing on when you flip it. I don’t want to partake of Smogon because the game they’re playing looks unpleasant to me to play, and because part of Being Into Smogon means looking around at the game Smogon has made and thinking: Yeah, this works. This is a good system.
The current news out of Smogon, such as it is, is that in their OU format (short for ‘overused’), just banned the Pokemon Gliscor. Gliscor is redacted information that doesn’t matter, because you don’t need to know what Gliscor is to come to understand the problem that Gliscor highlights, and the lesson you can learn about making games and control over those games.
Smogon’s banning policy reflects a truth I espouse as a game designer: Players are great at identifying problems and terrible at solving them.
Continue Reading →Starting New Habits
I bought a sketchbook yesterday.
Not yesterday when you read this of course, but yesterday for me.
I bought the sketchbook at the Reject Shop. It was not a nice sketchbook. It was not an expensive sketchbook. It doesn’t have a nice cover. It doesn’t have a leather case to keep it in. It’s not like the leather cover my sister got me for my bullet journal. It cost me $3 and its brand name is ‘VISUAL ART DIARY.’
Today, I started drawing in it.
Story Pile: Do It Yourself!!
If your particular thing was anime about cute girls with a special interest where you could very easily interpret pretty typical social engagement as in fact, boilingly obvious non-heterosexual romantic attachment, then this time last year, you were probably one of the many people extremely into the extremely good anime Bocchi The Rock. Funny, energetic, vibrant and extremely focused on its own particular aesthetic representations of a hyper-real relationship between the modern capitalist landscape and why we are people who are not suited to exist in it when there are far more important things you can do, relating to one another, and how difficult it is to say what you really mean when what you are really trying to do is to reach out to another person, someone you may have never met before or someone you may know deep as your own family and tell them hey, I want to be loved, by you.
And that obviously arch and highly poetic description of Bocchi that I’m using in a way that definitely elides some of the details and decentralises some of its more obvious themes is nonetheless also a summary of Do It Yourself!! an anime from the same season, same time slot, but a different channel, meaning that at least in the time when we make anime fight for our attention in capitalist landscapes, meant that Do It Yourself!! got to lose to Bocchi’s immense stardom, a fact that I am sure would leave Bocchi herself so overwhelmed she would hide in a box like a Metal Gear protagonist.
A box that could be made exquisitely well by the crew that make up Do It Yourself!!
Continue Reading →Corrindale: A Place For Places To Happen In
Hey, what’s in the Pacific Ocean?
Do You Want Invincible Ink Stuff For Decemberween?
Decemberween is coming! Decembeween is oh so near! Decemberween is for giving! Decemberween is almost here! Decemberween, Decemberween, it’s fifty-five days after Halloween!
If you are at all interested in Stuff I’ve Made as products for presents for people in the coming months, I’d like to make this my official opportunity to tell you to go check them out now. It’s November, it’s near the end, if you’re in the Mainland USA or Canada (which my metrics indicate you are), and if you want something to arrive for you over there in order to give it to someone as a gift, now is a good time to set aside some coins and check out the stores for our stuff!
Here, let me show you the kinds of things I make that you may want to spend some money on!
Game Pile: Root (Video)
Thumbnail and script below the fold. The script is in part based on this article and this article.
Continue Reading →T-Shirt: One Flesh One End
I didn’t start this year expecting to be profoundly affected by The Locked Tomb books. As I write this, I have only finished three of them BECAUSE THE FOURTH ONE ISN’T OUT YET, but sometimes, a design haunts the brain and wants to get out. Hey then, here’s a fanart design that I hope doesn’t violate a fanart policy.
And here it is being worn by a digitally stitched-on model
If you want to see this design on things, you can get it here! I would personally recommend, if you are in some way a giant jacked gay lady, that you should get a version of this shirt without sleeves, as it would make Gideon Nav proud (I think).
MtG: How To Un-Who The Rings
I really like Universes Within. Not Universes Beyond, the system whereby Wizards of the Coast make cards using other people’s IPs, I’m very conflicted about that. Like the idea of it doesn’t bother me, I don’t think there’s a ‘purity’ of Magic to defend, Magic is a corporate product and anyone who wants you to think that it somehow is above these things thinks differently of the game than I do. It’s a game about faeries and elves and ripping off fantasy licenses, using licenses for real isn’t that big a deal.
Uh, but Universes Within is when they do that kind of thing and then come back to make a version of the card with their own specific Magic: The Gathering flavour that’s meant to fit on a Magic: The Gathering set world. I think that rules, and I’m looking forward to seeing more of it.
I also have come to think that I might never see another Universes Within product ever again.
Continue Reading →How To Be: Sothe Pathofradiance (In 4e D&D)
In How To Be we’re going to look at a variety of characters from Not D&D and conceptualise how you might go about making a version of that character in the form of D&D that matters on this blog, D&D 4th Edition. Our guidelines are as follows:
- This is going to be a brief rundown of ways to make a character that ‘feels’ like the source character
- This isn’t meant to be comprehensive or authoritative but as a creative exercise
- While not every character can work immediately out of the box, the aim is to make sure they have a character ‘feel’ as soon as possible
- The character has to have the ‘feeling’ of the character by at least midway through Heroic
When building characters in 4th Edition it’s worth remembering that there are a lot of different ways to do the same basic thing. This isn’t going to be comprehensive, or even particularly fleshed out, and instead give you some places to start when you want to make something.
Another thing to remember is that 4e characters tend to be more about collected interactions of groups of things – it’s not that you get a build with specific rules about what you have to take, and when, and why, like you’re lockpicking your way through a design in the hopes of getting an overlap eventually. Character building is about packages, not programs, and we’ll talk about some packages and reference them going forwards.
Who are we looking at this month? Well, since this series was started off by Hilda from Three Houses, it seems positively rude on my part to not reach once more to the Fire Emblem well, with its wonderfully varied names and … embarrassingly limited mechanical scope.
Let’s look at a character from a Gamecube game about fighting a dragon, or a god, or the black knight, or something.
Story Pile: Bocchi The Rock
Deep breath Delightful, charming, lovely anime, great, thought it was funny, songs are a banger, basic premise is really well iterated on, minimum of Anime Bullshit, characters are all well realised and have interesting dynamics that relate to one another and the story is satisfying as it covers a number of small distinct enjoyable story beats and yeah okay, good. Good! Great! I really liked Bocchi The Rock and I think that if you like anxious girls and music and anxious girls who make music, then you’ll probably find the series pretty enjoyable!
I want to get that out of the way first because I don’t think you’d be well-served in any interesting way to see me talk about what happens in Bocchi The Rock! or if you ‘should’ watch it because it is ‘good.’ Anyone can tell you that, and so far, we have yet to find a ‘good’ anime, in part because no anime is good, and in part because the idea of ‘good’ media is silly. Instead what I want to do is talk about the things that Bocchi The Rock made me think about as I watched it, and the ways it made me feel, and why.
Continue Reading →CoX: Dusted
This is an explanatory writeup of one of my Original Characters (OCs). Nothing here is necessarily related to a meaningful fiction you should recognise and is shared because I think my OCs are cool and it’s cool to talk about OCs you make.
Who is she? Probably just some Monolith employee.
Continue Reading →Desert Bus ’23 Game Jam Game: The Coffee Question
Okay here’s a weird, non-standard thing.
See, I made my game jam game. I put it on this site. I hated it and brewed about it for a bit. But i believe in tracking my mistakes as well as my successes, so I figured it was better being done and moving on. But then a few days later, before the jam ended, I got a different idea and wanted to act on that, and so I did. What that means is this article has two distinct parts.
Part 1, here, before the fold, is me just showing you a game and linking to its itch page. After the fold is Part 2, the original version of the article, which is written by a more bummed out version of me.
The game I made is called The Coffee Question, and it’s based on the idea of trying to remember a complicated order for the whole staff when you run down to get people coffee. It’s a small game, only 27 cards, and it’s fully cooperative. You play it in two rounds, and have to try, collectively, to memorise an order of the food you’re there to get. Consider it a lesson about writing things down. It’s also built around a lot of different references to what I think of when I think of Desert Bus and food, though some concessions have been made to make the things hard to remember.
I think it’s fun! I recommend it! I like cooperative games for Desert Bus, feels more charitable. You can go get it over on itch.io. You can also get it here:
The rest of this article is preserved for archival purposes, and the other game is there for consideration, but really, don’t worry about it. The game is fine I guess, but I was really upset by the whole process. This one also had the same kind of upset but after writing about how you should route around those problems, not doing that in my followup shows how silly I can be.
Continue Reading →Game Pile: Here To Slay
Kickstarter has given rise to a particular genre of game which I think of as ‘crowdfundable.’ When you make games on kickstarter it’s very important to have an appealing hook that is communicated visually very distinctly; you simply need a sense of aesthetics to hold what you’re creating together. This means there’s a bunch of games on the market now, games that are pre-emptively successful, which are most notable for their aesthetics and the presence of important artists or setpiece gimmicks, that set precedent for a greater audience of designers to iterate on, and where the underlying game is maybe a bit deserving of a few more iterations of revision on the rules. Y’know, where just being good looking and being attached to an existing brand is enough to get units out the door so the actual game experience underneath it can be a bit ropy.
Oh hey, Here To Slay, what are you doing here?
Continue Reading →