First of all, I am legitimately not, in any way, an expert on the greater contextual and cultural significance of Luke Cage, the series, as it pertains to blackness in America. I am no expert, nor am I even in a position to be an expert. If you’d like to read a take about blackness in Luke Cage and its first four episodes, check out these pieces on Women Write About Comics: They are better informed and better aware than anything I have to say. They do touch on something that I see in the other Marvel series, but we’ll get onto that when we get there.
I’m not only not black, I’m not only not black but in a culture that has dominated and oppressed black people. I’m not only not black and part of a culture that dominated and oppressed black people, I’m not even in the right culture that’s dominated and oppressed the black people that Luke Cage is all about. I am, simply put, nobody on that topic. Go read those posts, they taught me stuff, and crystallised some realisations. I do not think Luke Cage is a work that should be looked to as an example of How To Write Blackness.
As best I can see, Luke Cage is a work of media that wants its blackness to be palatable to whiteness and is willing to simplify things to do that. I don’t hold it against anyone in the show on that front, I just see that as a byproduct of being made by businesses that ultimately don’t want to piss off white people too much. Yet, that’s not a perspective I’d have come to on my own.
Nonetheless, no work is a single expression; while the greater throughline and message of Luke Cage can ring hollow, while it is a show that has as said, forgotten the face of its father there are still things, I’d say smaller things, in this series that I think are good ideas, good things for storytellers to reach out and learn from. Telling stories is hard, telling great stories is incredibly hard – you take whatever tools you can get from whatever source you can get ’em.
However, that stuff is more… fiddly. So let’s put it after a jump.