I’m a bit sore about accents.
One of the problems is that my accent is one of those ones that’s kind of definitively seen as a joke. You don’t hear an Australian accent, and when you do hear it, it is almost never done by an actual Australian. The most famous Australian actor in the world right now puts on an Olde English accent most of the time.
In part this conversation was spurred by Olly of PhilosophyTube, who is a perfectly fine chap and I don’t mean any disrepect by, but he recently did a video that was presented as a riff on ‘How I’d Fix [Franchise]’ videos, during which he did the whole thing in a very artificial American accent.
The purpose behind it was that this voice was both meant to be playing a character, and to help hook people into a way of viewing ‘the housing market’ as a thing that doesn’t actually do what it’s presented as doing. Plus it played within an existing Youtube genre of extremely tired, annoying fanfiction that’s just jam-packed full of extremely ordinary white guys. It was affect, right? That was the point. It wasn’t meant to sound good, so what’s the point?
The point is that the overwhelming thought I had, through the whole video, was not ‘Oh hey, clever use of the genre’ or ‘good point there, Olly me old chum, maybe we should eat the rich,’ but rather the much more constant ‘jesus christ this accent sucks.’
Which isn’t new, he’s done this before. He’s impersonated an Australian accent, For Hilarious Effect, which touches on one of my raw nerves.
I have some sympathy for voice actors on this front. After all, in the United States, the most common form of voice acting is the way that almost all news presenters adopt an identical locational affect – it’s really specific in fact. Numerous voice actors take on roles that aren’t true to their own backgrounds, and voice acting can be much more about projecting an affect that can communicate a lot through a very small amount of experience.
Plus, I don’t want to stand here and talk about this like it’s a form of cultural intrusion. That’s a much more chancy sphere, and the last thing the world needs is a white guy standing here telling other people how they should communicate. That’s super obnoxious (and part of why it angers me when Americans do it to me).
If you want to look at the way this sphere of media is fraught, in Downsizing there’s Hong Chau’s character Ngoc Lan Tran. Tran spoke in that movie with a really heavy Vietnamese accent and broken English – an accent she said she derived from her own family.It was something of a hot topic for people to complain about this accent and even flat-out call it racist, for her to have it. I’m not here to defend the movie or how the movie depicted it, but people were saying that the accent Hong Chau chose that evoked her own Vietnamese heritage was ‘wrong,’ and made her sound like a joke. People criticised the accent, and then they asked her about where she got it from.
That’s part of the problem with this sort of cultural imperialism: You’re made to feel your own voice is inherently non-serious. That you’re not a person, you’re a comedy prop.
You know we were going to get to this.
I hate Junkrat. I hate that Junkrat is meant to be Australian. I hate that he’s voiced by a Californian. I hate that other Australians love him. I hate how Overwatch treats Australia, because, boy howdy, is that some extremely racist stuff. But even if I didn’t hate all that, even if I didn’t hate who Junkrat is meant to be and what Junkrat is meant to be about, his accent would still suck.
And that means whenever I hear Junkrat talk, I don’t hear an Australian accent or a New Zealand accent. I hear an American, projecting to other Americans, an accent that’s meant to be about my part of the world. And all that time means every time I hear Junkrat talk, I’m pulled out of whatever fiction he’s meant to represent and just reminded that, oh yeah, this voice.
I personally feel that an accent is one of those things where we forgive you if you’re good enough. If I can’t tell your accent is fake, then it doesn’t matter that it’s fake. It’s basically diegetic, and that’s pretty interesting and weird.
Also, Olly’s like, on Patreon and Blizzard are one of the highest-paid gaming companies in the world. That’s a factor too.