231. Reward The Collector Instinct
Players like collecting sets of things. Even if the mechanical incentive to do so isn’t really there. It’ll happen.
232. Reward Player Impulses
Following 231, trying to fight how players generally behave is a losing battle. If players keep playing it wrong, try changing rules. This is one of Maro’s favourite points and he has the Time Spiral anecdote to back it up — efforts to make Suspend cards obviously unusable after casting confused players, so they just went ‘heck with it.’
233. Slim Rules, Strong Theme
The more pages your rulebook has, the more of an arduous task it is to learn. The BIGGER your rulebook is, the more difficult it seems. The Botch’s rulebook is a little a6 wee thing and it’s still pretty big.
234. Structuring Rule Writing
Three phrases to recoil from in writing your rules:
- “In this case”
- “Except if”
They’re sometimes necessary, BUT: If a player’s first impression, or first summary, is ‘I have to do subclause cf2 subreferences’ it’s a real bad look and puts people off. Try to structure your rules to avoid this kind of thing – introduce the broadest rule, then when things are established, then add the exceptions.
235. Start From Victory
Write your rulebook backwards. Start with how people win, and work backwards until you’re at setup.
236. Double Check Your Start
Pursuant 235, once you do that, leave it alone, come back to it, and see if that worked.
237. Evoke The Feel
Players’ first impression of your game should not be how tight the rules are or whatever, but ‘what this game lets me feel like.’ Relatedly, be super careful of describing your own game as ‘exciting’ or ‘hilarious’ on first parse. See if other people say that. This may be my low self esteem talking, mind you, I’m very shy of calling my own work ‘good’ thanks to my upbringing. You may differ.
238. Hard Is Fine
It’s totally fine to make a game nobody wins, often. Just understand the more unsatisfying play-throughs are, the less likely iteration. So if you want to kill all the players semi-randomly, make setting up again fast, make the play experience fast.
239. Let Me Outta Here!
A bailing mechanic is useful. Sometimes a player will just want to Burn Everything Down and get out. You can make that a mechanic. Consider zombie games where each player who dies becomes part of the opposition to speed up the end.
240. Inadequate Communication
Games like Mysterium thrive on limiting player communication then TRYING to communicate with a shitty method. This is a lot like Pass-The-Parcel wearing mittens, but it’s a good idea! Players individualise each game, just like charades.