Tagged: Pocohontas

Notes: How Disney Uses Language

  • Comparisons between Frozen and Moana are sort of a sign that right now, because they’re only one of a small number of films with the similar premise (woman-centered narrative).
  • The riff in both Jungle Book and Aladdin feel kinda like the Oriental Riff, aka Aladdin’s Cave that opens a lot of other things like Turning Japanese. Like, the iconic ‘Oriental Sounding’ music isn’t from anywhere in the Orient anywhere.
  • Cultural Appropriation is a big topic and it’s hard to talk about it in Youtube spaces, and it’s even harder to talk about on Twitter.
  • The Bulgarian choir music thing is just straight up super interesting.
    • Is this fusional, using Bulgarian choir style with the Inupiat lyrics?
  • The thing about Librettists and Operatic Composers amuse me juxtaposed with a Gilbert and Sullivan quote because they hated each other so much by the end, because they couldn’t see it as a synthesis of their work.
  • English is a fixed-stress language; words have a proper emphasis in them, but words don’t have a proper emphasis in a sentence, or rather, the emphasis tends to indicate the subject.
  • Vocables! There’s like, a language for singing, in a language? That’s super cool! I wonder if it’s also part of transmission/commonality between cultures, so they can all sing the same songs even if their languages change over time and space.
  • I really do want to see Moana. It looks really great.
  • God, Lilo and Stitch was also great.
  • The question of cultural appropriation between Hawai’i and France and Polynesian narrative.
  • I really, really love the detail that the characters are singing the song in its original language, and then they stop singing it when the language shifts to English. It becomes nondiegetic, which is really cool.
  • This form of video isn’t actually so demanding of production values. I can do this. I can do this even with Microsoft Movie Editor.