Tagged: Magic The Gathering

Planar Chaos Sucks (But It Doesn’t (But We Learned Nothing From It))

Back when Planar Chaos came out I mostly said at the time that it was a fine opportunity for Wizards of the Coast to address its failings, and start setting a new hard precedent in what the game should be, citing the examples of Damnation and Prodigal Pyromancer as signs of what the game’s colours should feature. This perspective, broadly speaking is wrong because Planar Chaos wasn’t meant to be that. I was the one in the wrong, with my sensible-seeming but incorrect assumption.

As it turns out, I was not alone

It’d be pretty easy to just call Planar Chaos a series of mistakes, but it’s a mistake of a different kind to the sort that filter out of R&D. The mistakes of Urza’s Saga are failures of development and refinement, the ‘mistake’ of Fires of Yavimaya/Saproling Burst as a combo was a failure of pre-loading time, and so on. Most of the time, the failures are also pretty ludic: Players are presented with a system, and engage with that system in a way that selects for optimal play experiences. Environments become saturated with ‘best decks’ or draft formats grow stale as optimal strategies surface or combos speed up the game in general.

These are, broadly speaking, problems and mistakes that come up in the conventional tournament play of the game. But Planar Chaos is a mistake of the culture of the players, and a culture that was only going to come to head as social media and real, immediate interaction with the game developers became more of A Thing. As development of the game became more connected to the play environment and made more – reasonable! – concessions to the wider variety of players, there was a more centralised community of people who were interested in the game for its design sake. They even got an archetype name – Mel!

These are the players who, as a community, care about not what Magic will do, or does do, but about what it can do. What the rules permit, what the design space of the game could allow for, within the limitations of still being the game. Now there’s a sad illusion in the Mel group that because they care about rules, Mel players are largely dealing with objective information. This can mean Mel conversations wind up being rather about designing within parameters that R&D actually build within (which tend to be player-focused systems and rely on a lot of playtesting and human activity), they try to basically reduce human engagement with the game into math. These Mels, the ones who fall into this trap, are the lovers and fans of precedent.

Precedent in Magic: The Gathering is a dangerous thing, because we already know that it doesn’t work. We know that Alpha had bad balance. We know that Mercadian Masques wasn’t a great set. We know that Mirrodin-era standard had Problems. But yet, when you extract a card from its greater context, it’s often easy to forget that. Hey, Wizards printed Storm spells twice, we can revisit that mechanic without fear, right1.?

In this game of semi-objective reference-sniping, in the climbing of Mount Cleverest, there is one set that stands head and shoulders above all others as an example of Precedent That Is Definitely Not Precedent.

Planar Chaos was printed in 2007 as part of the insular2. Time Spiral Block. Amongst its cards was a smaller subset of cards that were ‘Planeshifted,’ cards from an alternate present of Magic: The Gathering, where cards that were once printed in one colour were re-flavoured to be printed in a different colour, if the flavour of the colour pie had been interpreted differently. This was a chance for Wizards to do some really big, splashy, impressive things, like-

yeah, that.

Now I’m not going to argue much about whether or not Damnation was right at the time. I personally see it now as a relic of when Wrath of God was the lynchpin of white power (whoah is that a phrase that feels bad) back in the day and when Day of Judgement took over and things opened up and became very different,  and therefore, Damnation is just part of Modern and it sucks that Black has this in terms of how The Game Should Go, but hey, we’ve been moving away from Regeneration and anyway. Point is, Damnation isn’t a card that led to black getting global Destroy All since then.

Planeshifted cards also included Prodigal Pyromancer, a card that was then reprinted in a core set. I personally view that now in that Prodigal Pyromancer is from an alternate past where Wizards never made the mistake of Prodigal Sorcerer. That’s not how it works, but this is the problem: Planeshifted cards didn’t have a single, fixed, sensible and coherent interpretation for what they were. What’s more, Planar Chaos also featured cards that weren’t Planeshifted, but were also meant to be from this ‘alternative present’ – like Needlepeak Spider.

Now, mostly these cards vanished under the waves because for all that Planar Chaos was full of weird cards, most of them weren’t very good. Standard at this time was having a hard time dealing with very straightforward problem represented by Teferi, Mage of Zhalfir, a control card so ferociously strong that players were cutting counterspells they didn’t need any more, and a blue-base prison combo was standard legal in the form of ‘Pickles’ a deck that ran on Vesuvan Shapeshifter and Brine Elemental. Aeon Chronicler jumped into these decks and there was a land destruction deck running around, but broadly speaking, Planar Chaos didn’t do much that anyone cared about. The enduring Planar Chaos cards have been reprinted, like Urborg, Tomb of Yawgmoth.

These cards were not going to be lasting influences on constructed formats – very few sets really are. Mostly it’s individual cards that have an impact, and in Planar Chaos, most of those weird cards don’t provide that impact. For the players who care about precedent in design, though? Planar Chaos is a hand grenade, it blows apart all sorts of assumptions about what Wizards would or wouldn’t do. It’s full of too-complex cards, cards that could be printed in a colour but shouldn’t be because they don’t provide useful tools or interesting play experiences compared to the cards that already exist in that set. There are not really any breaks, but there are some bends. I mean, it’s not like Pyrohemia is as potent an effect as Pestilence in a colour that lacks lifegain, card draw and mana expansion like Cabal Coffers.

Really, the fact is we should be ignoring Planar Chaos in its entirety. Any card that’s printed only in Planar Chaos isn’t a useful example for field of reference and should instead be evaluated not as a card Wizards made but as a card Wizards might make.


1. This was such a recurrent problem in the social media space around Wizards that the name of Mark Rosewater’s scale of not coming back to the game is literally The Storm Scale.

2. Insular in this case refers not to the mechanics but the motifs and themes of the set. More than any set before it or after it, the theme of Time Spiral block is Magic: The Gathering. It’s a set so full of references to other places it’s quite dizzying to dig into them – and often they’re not actually particularly clever, they just exist.

MTG: Blue Pirates

With the arrival of Ixalan comes new flavour, new themes, new mechanical things and with that comes new discussions of how Wizards shouldn’t be doing the things they’re doing, because we’re much better at it than they are. Perhaps.

One topic that’s been brought up is why are the pirates blue? Now, this is one of your classic types of arguments: An argument that doesn’t mean anything, resolves itself, but is still fun to engage with. Far be it from me to complain about fun!

Pirates have been blue in Magic’s history for a while, following an annoying pattern of ‘well we put it in blue and now it’d be just rude to not keep it there’ that defined Magic’s past. They first appeared in Mercadian Masques, a set whose whole theme was ‘uh, sorry,’ and yet despite that still had two cards in it broken enough to get banned in block constructed, because of course.

Now, back in Mercadian Masques I really disliked the pirates as presented – but there’s a lot of stuff in Mercadian Masques that’s a problem (rebels in white? c’mon). I remember reflecting on how Pirates didn’t belong in blue at the time, and, at the time, I was right. The opinion has refined a little though. Pirates don’t belong in just blue.

Still, we’re talking about now, so what are some things about pirates that do fit, wholly and squarely in blue?

Theft

One of the defining actions of the pirate in fiction is taking things that aren’t yours. It’s sort of what defines a pirate. Things like navigating into the ocean, focusing on the self, indulging in strong liquor and being willing to fight over needless nonsense, if it lacks for theft isn’t actually being a pirate – you’re just Jimmy Buffett.

Blue steals! Blue is the colour that steals the most! In fact, blue is the colour that gets the most efficient forms of long-term theft! It’s an area it overlaps with black and red, too, so, yes. Pirates steal.

Change Of Identity

There’s this old rhyme used by outlaws in America.

Oh what was your name in the states?
Was it Johnson or Jenkins or Bates?
Did you kill your wife?
Or flee for your life?
Oh what was your name in the states?

Grim, but it showed a part of the American outlaw life that was by no means unique. Without any kind of central government to control identifying information, outlaws in the wild west would change their names and in so doing, shed entire histories, letting them choose who they wanted to be. Usually, they chose poorly.

This is true for sailors and pirates, too. It wasn’t an uncommon thing for pirates to change their name, head to the docks, and head for nowhere. There’s a simplicity to a life on the sea. Once you’re out, you’re out, and there really isn’t anything else you have to worry about but what’s on the ship. It meant that whoever you were or whatever you had to say, it wasn’t like anyone was going to google it.

Now you can make a case for these sorts of things not being a result of personal choices – after all, many criminals commited crimes of desperation then fled because they knew the society they were in wouldn’t handle it fairly or reasonably. The blue mage could then argue that choices in the face of circumstance are still choices and then you’re in the larger argument about the colour pie, period.

Escape

For all that pirates have reputations as being combative and taking what they want, it’s worth remembering that most of them had fast ships rather than warships – they wanted to catch up to people and take their stuff, but they also wanted to get the heck out when they were at risk of taking on more than they could handle.

Conventionally we see speed as a red thing, or a green thing – Flash creatures leaping in as predators, or red’s hasted beasts. Blue doesn’t get speed in that way. But blue does get the thing speed is used for: Evasion.

Information As Currency

 What’s the conventional thing Pirates are All About? What’s the thing most pirates go out of their way to find? What is usually the object that instigates entire piratical stories?

Treasure maps!

The nature of the pirate as someone driven by information should stand larger than it does, perhaps because the typical pirate movies we’ve seen have been well, thoughtless silliness and nobody reads books any more, apparently. In none of the Pirates of the Caribbean movies is much made of knowing things, or of discovering things as much as the treasure-map stage of things is replaced with a sort of ricochet-from-point-to-point approach.

None of this is to say that people who dislike blue pirates are wrong (though they are, sorta). It’s more that I thought about it for a little bit and realised how neat it was that many pirate things are Very Blue.

MTG: Examining A Possible UB Keyword

Hey, WOTC employees! As much as I want you to read my stuff, in the hopes you wind up hiring me to write for your sites like the Mothership and whatnot I have to ask you to not read this one because I’m talking about amateur designs and new mechanics. After the fold, we’re going to discuss The Empty Space For A Blue-Black Combat Keyword.

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